Updates Weekly
As this post is going up, and ideally not while I’m writing it, I recently had three wisdom teeth removed. It’s mushtown for my meals, and that reminded me of two nearly identical lunches I started making in the last couple of months. They differ only in their spices.
My website isn’t a recipe blog, so let’s start with the important information.
Continue reading “Two Interchangeable Mushy Veggie Lunches”These are two essays by a couple of “guys on the Internet” whose work I enjoy. John Gruber created Markdown and now works in the Apple/tech media space. Merlin Mann used to be Merlin Mann, one of the first modern productivity gurus. Now, he’s essentially a comedic personality. Both are tremendous writers, and these two essays are supremely affecting and have unique styles that show the authors flexing their muscles.
Cranking by Merlin Mann, posted April 22, 2011. (About parenting and priorities.)
How It Went by John Gruber, posted November 8, 2024. (About the election, kind of.)
Erin got a record player for Christmas, so I also have access to one. We each picked out albums from our parents to bring back to Connecticut and stopped into a local record shop last month. Her dad’s copy of Elton John’s Honky Cat was hilariously warped—it sounded like the left and right speakers were playing a quarter-beat different from each other. At the shop, she found a copy of an original press of Fleetwood Mac’s Rumours that the shop proprietor had forgotten about. It had a slight scratch, so he priced it at five dollars.
Vinyl is terrible, except for all the ways that it’s great. Most of those ways amount to coming full circle in an attention-starved economy where billionaires who thought Snow Crash had some pretty good ideas for the future are fighting for each second of our lives, fully aware that we’re near to bursting yet desperate for the next second to be the best second we’ve experienced that day. Beyond that, it’s about the vibe and process.
All this to say, putting a vinyl record on a turntable is an intentional act. Those records contain albums that are entire pieces of art, comprising individual songs that are each a bit of art but none of which capture the complete work. Experiencing art as a whole, accepting it as it’s provided, is powerful and often requires patience and an open mind. That becomes more important as the temporality of the art increases.
Continue reading “Art As a Whole”Dear Representative DeLauro,
I’ve never written to my representatives. I’ve voted in elections, chatted idly with friends at times, but otherwise admit to not being terribly participatory in the political process.
I’m writing now because I am deeply concerned about recent policy decisions—or attempts at policy decisions—from the Trump administration that affect my friends and millions of Americans’ well-being. The rapid pace and nature of these changes threaten the democratic principles I believe we all value.
As a new constituent of yours, I urge you to oppose the attempts of the Republican party to consolidate power under Trump; please continue to support robust congressional oversight and to vocally oppose any attempts to circumvent constitutional checks and balances. There is no compromise to be found in this situation full of blatantly unlawful actions.
I can’t begin to imagine what working in D.C. is like right now, so you have my sympathy and my support. Work to remind everyone that everyone there was elected by people, not by money. It’s easy to feel powerless right now, but engaging with my representatives and sharing my support feels crucial for preserving our democracy.
Thank you for the work you do. I moved to Connecticut late last summer from San Francisco, and I grew up in Minnesota, so I’m pleased to live in another state that is working to make progress in the world and not succumb to baser instincts.
All the best,
Mark Richard
Erin and I have been binging Taskmaster on YouTube. It’s an absolutely delightful show full of British humour1[sic] and absurd feats of… wit? Orthogonal thought? The show has remained precisely itself for years, yet each series is fresh; tasks are never repeated, and the new crop of contestants creates a different dynamic.
The brain behind the show, Alex Horne, has managed to craft hundreds of unique challenges. Of course, there are recurring task types—Do the most “adjective” thing with this object is one of my favorites—but the combination of Alex’s inventive approach and the comedians actually performing the tasks ensures that you can always expect the unexpected.
Most impressive is that Taskmaster has held true to its vaguely arbitrary scoring system overseen by the Taskmaster, Greg Davies. There’s a balance between speed-based and entirely subjective tasks, giving Greg wide latitude to adjust points as he sees fit. The fictional context of the show is that Greg is assigning these tasks and shall lay equal parts judgment and reward according to his whims. He maintains that character perfectly, getting angry and flustered and disappointed and gleeful and charmed all as appropriate. It isn’t mean-spirited in the least, but there are still incredible insults that are uniquely British.
It’s available on YouTube in the United States. Give it a whirl.