Category: Reviews

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Abducted: A 24-Hour Musical

This past weekend I had the fantastic experience of playing drumset in a musical put together in only 24 hours. My friend Tim, along with his friend Adam, wrote the entirety of the show. We showed up at Friday on 7pm, with nobody having seen the script or music except the writers. We then performed the musical — lines memorized, music rehearsed, choreography and blocking complete — at 7pm (and 9pm) Saturday evening.
I had an extremely good time. The music was engaging and written with some interpretation allowable, as all the members of the pit were experienced in this musical scenario. We had a lot of fun putting things together quickly, and were quite successful in performing our parts within a few hours.
The show was broadly a satirical take on the characters from Scooby-Doo. In addition to the normal gang (whose names are never explicitly stated at any point in the show), there is the scapegoat Brian, who is Daphne’s current boyfriend. He is verbally abused throughout the show, with some light slapping. In addition, Scooby-Doo is just a man in a Scooby-Doo outfit (naturally), although an old Hermit we meet at the beginning addresses this fact:

Velma: Oh, that’s our anthropomorphic dog. He loves food, and hates ghosts. So, we keep him on a leash and force him to solve crimes!
Hermit (Cooper): That’s not a dog! That is clearly a man in constant pain!
Fred: (Firmly, maintaining eye contact.) It’s a dog.

The fact that the gang keeps a man in a suit on a leash, and is either indifferent to this fact or somehow unaware of its humanity, is repeated throughout the show. Every time a character (normally Brian) goes to take his leash, Scooby screams in terror. At one point, a completely silent scene opens with Scooby alone on stage. Scared by the audience, he slowly stands on both legs, moves forward, and proceeds to intently say Help me! to various members of the audience.
What I hope to show with these descriptions, as well as the plot description to follow, is the creativity and fun that Tim and Adam bring to the shows they write, as well as some interest in watching their other shows online.
Now for the plot. The aforementioned hermit opens the show, describing to Fred and Velma how he was abducted and probed by aliens. Once all the characters were quickly introduced, they were subsequently abducted. During the musical sequence, a small creature, reminiscent of the chest-bursting alien from Alien, kills Fred during the “probing” procedure. We then meet the head of the ship, Marvin.
Shaggy accuses him of working too hard, so he takes Marvin away to “relax”. We later learn their natural high is Captain Crunch.
Daphne falls into a motherly love, with a bit of sexual tension, with the alien in Fred’s chest, much to Brian’s dismay. Velma proceeds to look for clues, until she meets another female alien with the exact same disposition and actions. Some innuendos occur.
Brian sings his heart out to the audience, beautifully I may add.
We finally learn the Hermit is on the ship. His plan was to run everybody out of town with talk about aliens, so he could have the oil deposit he discovered entirely to himself. Of course, he is now abducted by aliens so there is not much to do. Brian and Scooby were within earshot, and attempt to tell the rest of the gang.
Daphne appears, crazed, yielding a gun, rounding up the aliens and, as Marvin put it, “Yelling lines from Alien 3.” Of course, the alien in Fred’s chest talks her down, at which point another chest-bursting alien emerges from Daphne. Those two aliens go to town.
Brian explains to Velma that he solved the crime, and attempts to remove the mask (as is customary). Of course, being Brian, he takes some other alien and nearly chokes it. At this point, Scooby goes up to the Hermit, who is wearing a very obvious mask, and removes it. It is revealed the culprit is none other than D.B. Cooper.
At this point, we have “A case with no loose ends”, as Shaggy puts it. Of course we then realize the characters are still on an alien spaceship. Brian asks Marvin if they can be dropped off on Earth. Marvin declines, but makes an allowance that they can stay another day, until they are eaten.
Due to the inevitability of their demise, Brian removes Scooby’s collar. Scooby rises to his foot, removes the dog head from his head, and embraces Brian. The show ends on this scene.
 
It was an incredible show. Things weren’t perfect, but they were as imperfect as the musicals I did pit for that had weeks of rehearsal. It was a great experience, and while Tim and Adam have just graduated college, making another musical unlikely in the near future, I am excited to hear about whatever creative endeavors they have moving forward.

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Review: "Dry Land", A Play

DRY LAND is a play about abortion, the harshness and sweetness of young womanhood, and the sticky ambience of a high school locker room.

I decided to go see a play last weekend, based solely on the fact that I knew one of the leads, and one of my friends who participated in theater was interested in going. The Facebook event told me the play was called Dry Land, with the promotional picture being two girls in swimsuits (presumably of a racing variety) lying down next to each other.
Every so often, with the event upcoming, I would see some pictures from rehearsals. It seemed the set consisted solely of a fake pool locker room with benches. The racing swimsuits were confirmed. Upon buying my ticket, that was all the information I had.
I showed up alone, to a small theater on campus, and received my program from what I later learned was one of the producers of the play. The first one in the theater, I sat on the far end of the second row of black chairs. There were only four rows in total, perhaps seating about 20 each. I was within 30 feet of the illuminated set: the same pool locker room floor I had seen online.
Opening the program, I scanned the cast and read the biographies printed inside. There were a mix of recent graduates, and those still going to the University of Minnesota, involved in the theater department. Soon I made my way to the summary, where I was met with the description this review begins with.
I realized I was at this play alone, mostly to see someone who I had met over a few weeks when I was a pit member for another musical, but who I had hardly seen since. I was feeling a bit uncomfortable, but I realized this was a rather immature feeling. So I settled in for what would likely be an engaging play.
I was completely blown away at the end, fairly close to tears. I won’t give much of a plot summary, but let it suffice to say the how we view friendship was questioned, and there was a very long scene where an aborted fetus was being passed, complete with copious amounts of fake blood. Mixed in were fights, complete silence, lonely scenes where a character was on stage for minutes without speaking. Altogether it was a fantastically beautiful play, exploring the dynamics of relationships we have with each other and ourselves at a time period — between high school and college — where we are transitioning our lives and determining who will remain as we move forward.
While the run of the play is over at this point (it was only on for a weekend) I highly recommend finding other performances online (if available) or locally. I was deeply affected, in a way I can’t quite replicate via writing a few days later. While the play was uncomfortable at times, an audience who can take it quietly will come out with a greater sense of empathy.

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Book Review: "Quiet" by Susan Cain

I recently finished reading the book Quiet, by Susan Cain. In it, Susan Cain puts forth her concept of the “Extrovert Ideal” in western culture, and what introverts can do to help themselves in a world dominated by extroverts. In addition, she makes a case for why introverts are often exceptional leaders at all levels, although this may depend on the dynamic of the workplace itself.
As a self-avowed introvert, I found much of what she said to be very appealing and helpful. Most useful to me was the idea of a restorative niche, an environment to which you naturally go whenever you’re feeling a bit down or out of place. I enjoy this part of the book in particular, as it is personality-agnostic. She makes a case for having self-awareness of your personal restorative niche, regardless of your introversion or extroversion. The reason being that we all need a place to go and revitalize ourselves.
Introverts are often characterized by susceptibility to over-stimulation. As a result, it is often necessary to seek a quiet place of solitude, or perhaps one or two close friends. I know whenever I had to be in front of a large group (anything more than eight for me) I could do it, but then felt very drained. It was imperative that I find a spot to be to recover, or perhaps connect with a single person in that large group quickly so that I have something concrete to focus on.
Conversely, the group situation above can often be the restorative niche of an extrovert. After a long day at work or studying, they crave a group of friends to go spend the evening with. Perhaps they work somewhere and find themselves severely under-stimulated (a common occurrence and your average campus job) and just need to unwind with a large group of friends. The key is to know where you stand, and seek out a schedule which maximizes the time spent in your restorative niche.
Of course, this is not to say that every introvert should work alone from home all the time, or that extroverts should spend every waking hour at the stock exchange. There is a balance to be struck. But understanding your own mood patterns, as far as they relate to your social habits and preferences, is powerful when trying to form a schedule that suits your needs.
 
Another point of interest is how introverts and extroverts interact with those of similar and opposing dispositions to them. There was a study in which groups of introverts talked with themselves one-on-one, as did extroverts; then the groups were mixed together so that introverts talked with extroverts.
In the first part of the conversations, introverts tended to immediately delve into personal topics about each other’s lives, or about current events in the world. They often found a common topic of interest very quickly, and were able to stay focused on one or two ideas for most of the time. Extroverts required a bit of warming up, talking about the weather and more surface-level details about the other person’s lives. The dynamics were clearly quite different.
Once introverts and extroverts joined together, they were able to adapt to each other. Introverts let the conversation become a bit shallower, and the extroverts reported feeling at ease, since they felt heard to a greater extent than when talking to other extroverts. Introverts reported being more at ease, since the other person would lead the conversation. They were both able to interact well, and had very good ratings of how the conversation went.
What’s important here is that we can all help each other, and serve a role, whatever our social preferences are. Extroverts can often talk about many things very quickly, processing things out loud with other people, and having an introvert who will happily sit quietly just to listen, and respond when appropriate, can be very helpful for this. In addition, an average introvert may not always want to be engaged in incredibly serious discussion, or just wants a bit extra social interaction. Being carried along in a conversation (or some other situation) with an extroverted friend can help move someone out of their comfort zone.
 
This book has some very important ideas for everybody to be aware of. While I did not touch on some of the larger ideas presented (how extroverts dominate the business world, and the ways this effects employees), even just the two things that resonated with me are worthy of significant discussion. Give it a read. It’s a very concise narrative style, easy to follow, with great ideas and advice for becoming more aware of how you operate within the wider world. I know it had a great effect on me.